日本摄影与珂罗版

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三影堂摄影艺术中心「日本摄影与珂罗版」，春节前后安排：
2020年1月15日：年前最后一天的开放；

2020年2月5日：让我们继续。

日本摄影与珂罗版联合主办：三影堂摄影艺术中心

京都便利堂

开幕式：2019年12月14日14:00

展期：2019年12月14日-2020年3月16日

工作坊：2019年12月14日-15日

地点：三影堂摄影艺术中心艺术商店

（北京市朝阳区草场地155A）

三影堂摄影艺术中心即将荣幸与京都便利堂联合主办"日本摄影与珂罗版展览"，本次展览将呈现由京都便利堂制作的包括深濑昌久、山本昌男、须田一政和安井仲治4位日本摄影大师的38件珂罗版作品，其中包括深濑昌久享誉世界的《鸦》、《家族》以及须田一政《物草拾遗》等珂罗版作品。

珂罗版印刷工艺于1869年发明于欧洲，它融合了摄影和平版印刷技术，能细致地表现原作的浓淡层次，颜色光暗差别，因此作品层次丰富，非常适合艺术作品的复刻。珂罗版工艺在19世纪末从欧洲传到日本并被广泛地接纳和传播，但随着胶版印刷等新工艺的蓬勃发展，从1970年开始珂罗版印刷日渐式微，目前全世界仅剩中国、日本和德国三个国家依旧保留和传承着这项工艺。

部分展览作品及艺术家介绍

深濑昌久

1934年2月25日生于日本北海道，日本战后摄影的重要人物之一，于20世纪70年代与细江英公、森山大道等人一同设立了workshop摄影学校，其代表作包括《游戏》、《洋子》、《鸦》、《家族》等系列。《鸟景》是深濑昌久享誉世界的《鸦》的彩色作品，荒木经惟曾说："深濑的鸟，就是深濑自己的化身，他教会了我，摄影也是一种叹息。"

深濑昌久《烏景》RavenScenes005，彩色珂罗版作品

深濑昌久《色彩探究》系列ColorApproach，彩色珂罗版作品

山本昌男

1957年出生于日本爱知县，最初学习油画，80年代涉足摄影界，是继森山大道、荒木经惟之后最具国际影响力的日本摄影师之一。他以小帧照片闻名于世，通过这种方式来说明每个碎片如何成为宏大现实的一部分。他模糊了摄影和油画之间的界限，有时在照片上画画、染上颜色或茶水，有时则撕开照片。他富有禅意的作品和生活方式也弥漫着东方特有的哲学和美学气息。"我活着，每一天。感受着所有的细节和琐碎，并且尝试将它们置于欣赏的位置。也许这就是我生活的美学，摄影是我生命基本元素，和吃饭睡觉一样，因此这种美学也作用于我的摄影…通过寻找美，产生了生活里的乐趣。"

山本昌男彩色珂罗版作品

山本昌男彩色珂罗版作品

须田一政

须田一政，出生于1940年，被西方媒体誉为"被低估的日本摄影大师"，与荒木经惟、森山大道等人同代并行。他的大部分作品都是在旅行中拍摄完成的，其镜头中出现的旅人、向日葵、老人、孩子等，都是生活中随处可见的"常态"，但观者却往往能从这些影像中可以感受到一个气氛独特的"场"，大辻清司则评论其作品具有独特的"偏差感"，他认为须田的摄影建立了更为现实的、具体的视点，同时具备着某着异样气氛。无论是拍摄人、事物、自然，只要是经过须田镜头窥视的事物，最后都成为一样。

须田一政《富山八尾民謡山河》系列YatsuoToyamafromMinyoSanga，珂罗版作品

须田一政《千代田区御茶ノ水民谣山河》系列Ochanomizu,Chiyoda-kufromMonogusaSyui，珂罗版作品

安井仲治

战前的摄影界现实主义摄影的先驱者，他将照相机称之为"我的生命"，并将其聚焦于他的目之所及。安井仲治尝试着不同的表现风格以及可能的技巧，包括30年代的染料印制，抓拍，新现实主义，结构主义，新闻报道，中途曝光，超现实主义乃至抽象的风格。安井仲治从日常生活的碎片中艺术地提炼出具有力量的象征性符号,他的作品曾影响了很多日本战后的摄影大师。日本纪实摄影大师土门拳将其誉为"举世无双的先锋"。

安井仲治小型珂罗版作品集《安井仲治的映像世界》

珂罗版的制作工艺可大致分为四道工序：修版、晒版、显影、印刷。在磨砂玻璃上，涂上一层薄的硅酸钠为基底，再涂明胶和重铬酸盐，干燥后形成感光膜，和接触曝光，在光照下，感光膜产生不同的硬化反映，制成印版。再通过采用水墨相斥的着墨原理用无网点印刷的方式，进行印刷。

本次我们有幸请到日本便利堂珂罗版学院经验丰富的导师从京都专程来到北京三影堂，在12月14日、15日两天为大家讲授珂罗版工艺流程和艺术作品收藏价值，如果想要亲自体验珂罗版的制作过程，就来参加便利堂珂罗版体验工坊吧！

注：为了更多地满足大家对于珂罗版体验的热情，12月14日的免费体验课程（仅需购买门票）名额现已扩充到40人。

导师介绍

山本修OsamuYamamoto

1960年生于京都的山本修用珂罗版技术制作过珍贵的文化财产的复制品，例如正仓院文书，伊藤若冲的『动植彩絵』以及蒙古袭来絵词等。近年来，他一直致力于制作摄影作品的彩色珂罗版印刷，及研究传承给下一代的珂罗版印刷技术。山本通过在大学的演讲和摄影节等的体验课程来促进一般大众对珂罗版的认识。

山本修："我在十八岁时第一次认识珂罗版。高中三年级的时候，我的老师问我想不想成为便利堂的印刷工匠。四十年来，每天我都经过反复试验，为了制作出自己能够满足的作品，花了很多岁月。作为珂罗版学校的教师，我会致力将我多年来学习到的珂罗版印刷技术和知识，以新鲜的感觉轻松地传达给你们，希望可以跟你们一起享受这个体验与过程！"

1887年创业于京都的便利堂，于1905年开始专门研究珂罗版高级印刷工艺，把传统的职人技术保存发展至今，已制作和复制了2,500项以上的日本国宝级艺术品。作为世界上最后一处彩色珂罗版印刷工艺的公司，京都便利堂向现代的艺术家提供跟印刷工艺大师合作的机会，共同制作艺术作品和作品集，致力让这种传统工艺继续发展下去。

Japanese Photography and the Collotype Exhibition

Co-organiser: Three Shadows Photography Art Centre & Benrido

Opening: Dec 14, 2019, 14:00

Duration: Dec 14, 2019 - Mar 16, 2020

Location: Three Shadows Photography Art Centre Art Store

(155A Caochangdi, Chaoyang District, Beijing 100015)

Three Shadows Photography Art Centre is delighted to present the exhibition “Japanese Photography and the Collotype” together with Benrido. The exhibition brings together 38 different collotype prints by four outstanding Japanese artists: Masahisa Fukase, Masao Yamamoto, Issei Suda, and Yasui Nakaji, all produced and provided by Benrido.

Collotype is a printing technique invented in Germany in 1869. It is regarded as an ideal way to reproduce artworks due to the fact that it integrates photographic and lithographic printing technology, clearly representing the tones and the effect of the source material. Collotype printing technology was introduced to Japan at the end of the 19th century and has been studied and developed there ever since. However, with the rapid onset of various new technologies, the collotype began to fade from the public’s eye, particularly after 1970. At present, only three places in the world – China, Japan, and Germany – retain this technique.

Founded in 1887 in Kyoto, Benrido has specialized in advanced collotype printing technology from 1905. With the aim of preserving and developing the traditional technology, it has produced more than 2,500 items of nationally treasured art from Japan. As the last color collotype printing process company in the world, Benrido also provides artists with the opportunity to collaborate with masters in the field in the hope of introducing this ancient and precious technique to the public once again.

About Artists

Masahisa Fukase

Born on February 25, 1934, in Hokkaido, Masahisa Fukase has long been among the most renowned Japanese photographers. In the 1970s, together with Eikoh Hosoe, Daido Moriyama, and others, he set up the seminal Workshop Photography School and became an important figure in Japan's postwar photography landscape. His representative works include “Solitude of Ravens,” “Yoko,” “Memories of Father,” and “The Family.” “Raven Scenes” are color photographs taken at the same time during “Ravens”. The artist interpreted the work as follows: “I was previously surprised by the bird’s glowing eyes in 'Ravens 3' which was published in the January issue of Camera Mainichi in 1978, but this time with the colour photographs, I was surprised by the colour of the sky. Whilst shooting in Kanazawa I had to increase the ASA from 200 to 1600 and due to the light coming from behind, as well as the rainy and cloudy weather, the sky’s colour became strange and could not be predicted such as grey, green, light blue and so on. The Ravens' eyes glow brighter when they are captured from a further distance with telephoto lens and flashlights. I was about 30 to 50 meters away from them.”

Masao Yamamoto

Masao Yamamoto was born in 1957 and began to take photographs in the 1980s. He is known for his small-sized works, which illustrate how a tiny fragment can become part of a large reality. He blurs the boundary between photography and painting by coloring photographs with color or tea, sometimes tearing them apart in the process. Both his works and his personal lifestyle are imbued with Oriental philosophy and aesthetics. He has said: "I live, every day. I feel all the details around me and try to put them in the position for appreciation. Maybe this is the aesthetics of my life. Photography is a basic element of my life like eating and sleeping. I found the joy of life by searching for beauty inside of it.”

Issei Suda

Born in 1940, Issei Suda is regarded as one of the most underrated photographers by the Western world. Most of his works present daily scenes featuring travelers, sunflowers, old people and children. However, there is always something unique about his works that elevates them beyond the ordinary. As Kiyoji Otsuji once did, “There is always some kind of deviation in the woks of Issei Suda despite their common appearance.”

Yasui Nakaji

Yasui Nakaji was a Japanese photographer and a pioneer of realism in pre-war photography who regarded his camera as “his own life.” He experimented with many different styles of expression and technique, however, including dye printing in the 1930s, neorealism, structuralism, news reportage, surrealism, and even pure abstraction. From everyday life, Yasui Nakaji extracts powerful symbols. His work has influenced many Japanese postwar photographers. The Japanese documentary photography master Domon Ken considered him "the unparalleled pioneer.