陈燮阳与完全柏辽兹 苏州交响乐团19/20音乐季

陈燮阳 指挥 | CHEN Xieyang Conductor

19世纪，一种遵循德奥传统古典音乐框架但又大胆革新的交响曲形式横空出世，它便是以浪漫派作曲家柏辽兹为代表创作的“标题音乐”。标题的引入直接将聆听者带入作曲者营造的幻想世界。这其中有罗马狂欢节化装舞会上痴情男女的翩翩起舞、有16世纪意大利传奇人物本韦努托·切利尼的真实人生、也有作曲家本人带有自传形式的痛苦的爱恋和怪诞不经却又真实逼人的梦魇。《幻想交响曲》的出现不仅开启了浪漫主义的大门，也打破了一般人认为“法国人不擅创作交响曲”的陈旧观念。

In 19th Century France, the symphony form was a rarity regarded as a mainstay in the Austro-German musical tradition. However, Berlioz revolutionized the genre with his ‘program music’, which redefined the symphonic language and debunked the myth that “the French did not know how to write for the symphony.” The composer creates his fantasy world through the programmatic nature in the music, which takes the listener on a virtual journey to a mask ball at a Roman carnival, or the legendary life of the 16th Century hero Benvenuto Cellini, or the composer’s autobiographical account of a tormented love and bizarre realism in his Symphonie Fantastique.

陈燮阳 | 指挥

陈燮阳现为苏州交响乐团音乐总监、上海交响乐团名誉音乐总监、中国国家交响乐团特邀指挥、第十届全国政协委员、上海市政协委员、国家一级指挥、上海音乐家协会副主席、中国音乐家协会理事和上海交响乐爱好者协会会长。

从上海音乐学院毕业后，曾任上海芭蕾舞团管弦乐队常任指挥、中央歌剧院院长。1982年他应邀在美国阿斯本音乐节指挥音乐节乐团，大获成功。1984年出任上海交响乐团团长，1986年被任命为上海交响乐团音乐总监，成为中国文化发展史上第一位文艺院团的总监。1985年以来，陈燮阳先后赴苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国、丹麦、奥地利、法国、西班牙、俄罗斯等国家和港澳台地区，指挥本团或当地著名乐团举办音乐会，均受盛赞。1998年1月和1999年2月，陈燮阳率中央民族乐团赴奥地利、德国、丹麦，在世界著名的维也纳金色大厅和柏林爱乐大厅，以及其他城市音乐厅举办中国新年音乐会。2000年8月，他又率中央民族乐团赴美国参加“中华文化美国行”的巡回演出，其中包括在纽约著名的林肯艺术中心举办音乐会。他带领上海交响乐团2003年在美国11个城市的巡演、2004“中法文化年”的欧洲巡演，以及2007年维也纳金色大厅的音乐会，好评如潮。特别是2004年6月20日，为庆祝上海交响乐团建团125周年，由他指挥上交在柏林爱乐大厅举行的庆典音乐会，获得巨大成功。

陈燮阳指挥的小提琴协奏曲《梁祝》获得1989年中国唱片社颁发的金唱片奖，2008年荣获第六届中国金唱片奖评委会（指挥）特别奖，1987年起，他多次被选入英国剑桥国际传记中心出版的《世界名人录》。2002年，上海音乐出版社出版了由他指挥的《朱践耳交响曲集》系列唱片，2006年又出版了《朱践耳管弦乐曲集》《吕其明管弦乐曲集》《贝多芬交响曲集》系列唱片。

CHEN Xieyang | Conductor
Renowned conductor CHEN Xieyang is Honorary Music Director of Shanghai Symphony Orchestra, Principal Guest Conductor of China National Symphony Orchestra and the Music Director of Suzhou Symphony Orchestra; now a member of the Chinese People's Political Consultative Conference and the Shanghai Municipal Committee of the People's Political Consultative Conference, Vice Chairman of the Shanghai Musicians' Association, member of the Standing Committee of the China Musicians' Association, and Chairman of the Shanghai Symphonic Music Lovers’ Society.
After graduating from the Shanghai Conservatory of Music, Chen was appointed resident conductor of the Shanghai Ballet Orchestra, and served as Director of the Central Opera House in Beijing. In 1982 Chen was invited to conduct the Aspen Festival Orchestra in the United States. Following his success there he was appointed the President of the Shanghai Symphony Orchestra.
In 1991 Chen became appointed Music Director of the Shanghai Symphony Orchestra – the first music director of any performing groups in Chinese history. During his tenure at the Shanghai Symphony Orchestra, he took the orchestra on an 11-city tour in the United States in 2003 and in the following year to Europe for the Sino-French Culture Year. On the occasion of the 125th Anniversary of Shanghai Symphony Orchestra, he conducted the orchestra in the Berlin Philharmonie to great acclaim.
He has conducted orchestras both in China and abroad, including the US, Austria, Denmark, France, Germany, Great Britain, Italy, Russia, Spain, Switzerland, Japan, Korea, the DPRK, Thailand, Singapore, Australia, Hong Kong, Macau and Taiwan. He has led the China National Symphony Orchestra on its tours in Austria, Denmark and Germany, as well as the “Chinese Culture in America” Festival at the Lincoln Center. His concerts at the Großer Saal Musikverein of Vienna and the Lincoln Center of New York have won enormous successes.

Chen’s recording of the Butterfly Lovers Violin Concerto won the Gold Record prize in 1989. Since 1987 he has been listed in the Who’s Who In The World compiled by the Cambridge International Biographical Center in the United Kingdom. Chen’s discography includes the COMPLETE SYMPHONIES OF ZHU JIAN-ER, COMPILATION OF ZHU JIAN-ER’S ORCHESTRAL WORKS, LV QIMING’S ORCHESTRAL WORKS and COMPLETE BEETHOVEN SYMPHONIES.