2019舞蹈演出季 马修·伯恩舞剧《天鹅湖》- 广州站

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一部世界现象级作品。——《泰晤士报》

传奇回归，这部世界上最受欢迎的芭蕾舞剧仍是一个奇迹。——《独立报》

这部作品永久地改变了舞蹈世界。——《观察者报》

一如既往的勇气卓绝和无与伦比。——《每日电讯报》

《天鹅湖》是英国著名编舞、导演马修·伯恩爵士最负盛名的代表作，同时也是现代芭蕾舞界里程碑式的作品，问世二十多年来，其对芭蕾产业、现场演出、流行文化的影响极其深远。马修·伯恩爵士曾表示："《天鹅湖》是我一生中的奇迹。它的成功完全出乎我的意料，也改变了我的生活。"

1995年，马修·伯恩的《天鹅湖》于伦敦萨德勒威尔斯剧院首演。它是伦敦西区和百老汇上演时间最长的芭蕾舞剧，曾在英国、美国、俄罗斯、澳大利亚、韩国、日本、以色列、新加坡和中国演出，并曾在2013年推出过3D电影版。故事基于俄罗斯浪漫经典芭蕾《天鹅湖》改编而成，沿用了柴可夫斯基的音乐和情节梗概。马修·伯恩版本的改编最为知名之处在于将传统的女性天鹅角色改由男性舞者演绎，因此业内人士也常简称它为"男版天鹅湖"。

马修·伯恩对柴可夫斯基这一备受喜爱的故事强有力的演绎，造就了我们这个时代充满激情的当代《天鹅湖》，并以此获得了30多个国际戏剧奖项，其中包括奥利弗奖"最佳新舞蹈制作"和托尼奖"最佳音乐剧导演"、"最佳编舞"和"最佳服装设计"等多个奖项。2019年英国奥利弗奖颁奖典礼上，康沃尔公爵夫人卡米拉亲自颁发了"特别贡献奖"给马修·伯恩，以表彰其在英国舞蹈届的非凡成就。

2018年9月13日，在原版制作震撼问世23年后，马修·伯恩的《天鹅湖》重启复排，带着21世纪的全新面貌回归。在保留了原版中受全世界数百万人喜爱的标志性元素之外，马修·伯恩和托尼奖得主设计师莱斯·布拉泽森（布景和服装）及保罗·康斯特布尔（灯光）将为这部经典作品创造一个激动人心的全新形象。

    剧情梗概

小王子被女王冷落，渴望母爱的王子无法承受王室生活的压力，他幻想中看到一只天鹅，他强健美丽而又自由自在，拥有王子所渴望的一切。王子长大后仍然不讨母亲喜欢。某天晚上，隐藏身份的王子在酒吧里和人发生冲突，被赶出了酒吧。沮丧的王子在公园里撞上一群天鹅，其中一只与王子梦幻中的天鹅一模一样。王子对天鹅充满神往，心里洋溢着希望。

在宫廷舞会上，一位英俊的黑衣青年不速而来，他与王子在公园里相遇的天鹅非常神似，但黑衣人潇洒而傲慢，和所有在场的女士调情，并赢得了女王的欢心，他还模拟天鹅的舞姿来挑逗王子，使其大出洋相。当大臣宣布黑衣人同女王订婚的消息时，王子的精神彻底崩溃。奄奄一息的王子躺在卧室里，天鹅们突然出现，将王子带进了一个美好平静的世界。女王进来时，发现儿子已经死去，而此时在窗外，天鹅怀抱着少年王子挺立在星空下。

Matthew Bourne's Swan Lake returns with a fresh look for the 21st century. Retaining the iconic elements of the original production loved by millions around the world, Matthew Bourne and award-winning designers Lez Brotherston (Set & Costumes) and Paule Constable (Lighting) will create an exciting re-imagining of the classic production. Thrilling, audacious, witty and emotive, this Swan Lake is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Collecting over thirty international accolades including an Olivier Award and three Tonys on Broadway, Matthew Bourne's powerful interpretation of Tchaikovsky's masterpiece is a passionate and contemporary Swan Lake for our times.

The original Swan Lake was based on the story of Ondine, a German myth with a theme common in Romanticism that was adapted by Hans Christian Andersen for his story The Little Mermaid. Ondine was a beautiful and immortal water nymph. The only threat to her eternal happiness was if she fell in love with a mortal and bore his child, as she would then lose her immortality. Ondine duly fell in love with a dashing knight, Sir Lawrence, and they were married, the knight pledging unfailing love and faithfulness to her with his every waking breath. A year after their wedding Ondine bore Lawrence a son. From that moment she began to age. As Ondine's beauty faded, Lawrence lost interest in her.

One afternoon Ondine was walking near some stables when she heard the familiar snoring of her husband. When she entered the stable, she saw Sir Lawrence lying in the arms of another woman. Kicking her husband awake, she cursed him such that he would have breath so long as he remained awake, but if he ever fell asleep his breath would be taken from him and he would die.

Bourne's Swan Lake radically reinterprets the myth. The focus of the ballet is turned away from the Ondine character to the man - the Prince. It is the Prince who struggles against repression and hopes for liberty, and who needs love to make him safe. In addition, it is not the mortal who is unfaithful to the nymph. Rather, it is the Swan who expresses love for the Prince, betrays him in the form of the Stranger, and finally returns to him. However, as in the Ondine myth, the sin of betrayal cannot be expiated except in death.

PRODUCTION

Director & Choreographer: Matthew Bourne

Set & Costumes Designer: Lez Brotherston

Lighting Designer: Paule Constable

Sound Designer: Ken Hampton